30 April 2010

Spring has Sprung....Depth of Field

When I moved into my house on a lake in Denver, one of the pluses was this peach tree in the backyard.  The property manager told me that it hadn't produced a single peach in over 10 years.  Then just before last summer they decided to prune it and see what would happen.  It produced so many peaches that it couldn't hold up it's own weight resulting in one of the big branches breaking off.  I'm looking forward to seeing what happens this year and if it's a repeat of last year.  So far it looks like a good start to a tree that wants to do what it was designed to do......


I also wanted to answer a question about 'depth of field'.  I've been asked literally 3 times in the past month about it so why not explain a little bit of it here.  "How do you make part of a picture blurry and part in focus, or the whole picture in focus for that matter?"  That's what you would call depth of field.  As I was taking pics of the peach tree I was playing with my settings a bit in order to illustrate how it works.  In the above picture the flowers on the branch in the center of the picture are in focus, almost all of them.  The shot was taken at 1/640 sec at f/6.3 about 5 feet away at 70 mm.  There are several online calculators that can help you figure out your range.  For instance the calculation for the above image being roughly 5 feet away are:


Depth of field 
Near limit  4.73 ft
Far limit  5.3 ft
Total  0.57 ft

This next shot I opened up the aperture and shrunk my depth of field.  Same branch, only shot at 1/2000 sec at f/3.2 also at 70 mm.  The difference is very noticeable and you can start to see how playing with depth of field can really aid you as a photographer in getting the effect that you want in your image.

Depth of field 
Near limit  4.86 ft
Far limit  5.15 ft
Total  0.28 ft


Four days later I took this shot going in the other direction.  1/60 sec at f/16 at 58 mm.


Notice that much more is in focus in this shot and you can clearly see the branches in the back ground.  The calculation for these settings are:


Depth of field 
Near limit  4.14 ft
Far limit  6.32 ft
Total  2.19 ft

My range is much greater, meaning that the beginning distance from the camera that is in focus starts at 4.14 ft away and then it starts to go out of focus 6.32 ft away from the camera.  Thus giving you a depth of field that is 2.19 ft deep.

Long story short, making a very wide aperture with a fast shutter speed will give you a very shallow depth of field while making a very small aperture with a slow shutter speed will give you a very deep depth of field.

Hope that makes sense?

24 April 2010

Back in Boston....

Over the winter my good friends Jeff & Nancy moved to a new loft right near South Station.  Part of the deal they got was that they had to renovate a lot of it and put in a good amount of sweat equity.  So when Jeff called me up and asked me to come out and give him a hand building a 20' x 20' roof deck around a skylight about 6 - 7 stories up, I said 'Sure, why not!'



Denver is great and I truly am loving it out there, but I do miss Boston a bit, so this was the perfect opportunity to get back and catch up with some old friends and get to use my hands and build something again.  Win / Win if you ask me ;)

The decking is a hard Brazilian wood called Ipe.  The vibrant, deep red tones really make a gorgeous deck and turns the drab roof space that was there before into a place you're thinking about kicking back and relaxing for a bit after a long day at work.


This last shot is the view from their roof deck towards the Chinatown Gate with Mars glowing above.......twilight.


 Can't wait to get back for the first BBQ!  See you again soon!

09 April 2010

The PD Armada

It started out as a harmless little trip to Deland to catch up with an old friend.  Next thing I knew I was on the phone with Karl from Performance Designs.  My harmless little trip to Deland turned into 3 full days of jumping and shooting out at Palatka.  You see Karl and I had been chatting before about working on a few projects together, one of them was to shoot every canopy in the PD line up, thus the PD Armada.  I was joined by Niklas Daniel and Lazlo.  We chased canopies across the sky and they chased us in turn.  It was good fun indeed!  Everything from the student Navigator to the Velocity, we shot 12 different canopies and gave all of our images to Scott from PD to work his magic and update their stock ads. Should be fun to see the updates that are made.


Here is a fun shot of me shooting Scott, shooting Karl, shooting Nik who is shooting all of us ;)


Looking forward to seeing where all of these shots pop up!  The funniest thing about this trip is that I believe this was my 6th or 7th time to Deland, and I have yet to actually make a skydive there.  Hehehe......Enjoy!  And thanks everyone for a great weekend and making it happen on such short notice!